One of my older short stories is now available for purchase on Amazon. I personally performed the e-book conversion using the latest processes and tools available and it was quite the learning experience. I'll post more about that later.
Unfortunately it took me a lot longer than I wanted to ready the e-book, which was very frustrating because it has a stunningly cool cover. Here I must give a huge shout-out to Erin Dameron-Hill, who not only has a masterful touch when it comes to cover design, she's a mind reader too. In my particular case, a better reader of my mind than its actual owner. Really sorry it took this long for people to see the cover.
I should also mention the story, Shadows in the Mirror, is also available in my Dark Doses anthology. Though the standalone e-book I just posted has had some work done on formatting, the story itself is unchanged from the anthology and the original. Be advised.
Lastly, Shadows in the Mirror was first published on The Future Fire, a lovely site where you can discover all kinds of amazing tales to read and enjoy. Check them out sometime.
Wednesday, February 15, 2017
Wednesday, December 28, 2016
How Todd spent 2016
In short, it was the year of Vortex.
As indicated, I devoted the bulk of this year to querying selected agents regarding the completed manuscript. This took place in several small waves throughout the summer and fall months. I culled a number of different references in order to target agents that represented Contemporary YA, Sci-Fi or similar. New agents, well established ones, East Coast US, West Coast, even a couple overseas. Alas, though I received a few offers of encouragement that went beyond the rote 'Not for me,' there were no takers. At this point, I feel I have allowed sufficient time for reactions to come in accordingly on my outstanding queries. These days most agencies tend to operate on the basis of: if you don't hear from us by X, assume we are not interested. I'd estimate around half of my query letters did result in some kind of formal rejection returning; I figured I'd be lucky to get any kind of actual rejection from around a third of them. Props to the ones who took the time to say no thanks. Closure is a good thing.
So I am therefore switching to the next stage of my go-to-market plan. I'm currently in the midst of performing two professional editing passes on the story: a) an extensive structural critique to identify any plot, characterization, continuity or other glaring issues requiring correction, and b) a line edit to catch and resolve all the grammar problems. In parallel, I'll be commissioning cover art. The goal is to pull together an e-book package and self publish early in 2017 via Amazon and Smashwords. Once that is accomplished, I'll be into the marketing and promoting stage of my plan. I'm interested to see what the latest options are in this area, how they work, certainly how well they work (if that's even measurable). One way or another, this ride will be fascinating.
I actually do have an older short story of mine, Shadows in the Mirror, that I need to package up and publish as a standalone e-book. I'll be completing that activity to learn the latest and greatest methods and procedures involved ahead of having to use them for Vortex. The tools and techniques for e-book publishing continue to evolve since my last hands-on years ago. From what I'm seeing, it appears to have simplified somewhat but it still isn't to the point where it could be called simple, consistent and reliable with predictable results. Unless a writer just wants to fork over a fee for someone else to take care of it. I suppose that's mighty dirt simple, if you can afford to do it.
In the background, I've been working on a smattering of flash pieces. One looks promising to have ready for early 2017. Most of the other works I'm chalking up to exercising and experimentation. At some point next year, I'll need to sort out and embark on my next major project or two.
So onto 2017. As of now, it's looking like year 2 of Vortex, at least for starters. Hope this ride doesn't get too bumpy.
Right.
Silly me.
As indicated, I devoted the bulk of this year to querying selected agents regarding the completed manuscript. This took place in several small waves throughout the summer and fall months. I culled a number of different references in order to target agents that represented Contemporary YA, Sci-Fi or similar. New agents, well established ones, East Coast US, West Coast, even a couple overseas. Alas, though I received a few offers of encouragement that went beyond the rote 'Not for me,' there were no takers. At this point, I feel I have allowed sufficient time for reactions to come in accordingly on my outstanding queries. These days most agencies tend to operate on the basis of: if you don't hear from us by X, assume we are not interested. I'd estimate around half of my query letters did result in some kind of formal rejection returning; I figured I'd be lucky to get any kind of actual rejection from around a third of them. Props to the ones who took the time to say no thanks. Closure is a good thing.
So I am therefore switching to the next stage of my go-to-market plan. I'm currently in the midst of performing two professional editing passes on the story: a) an extensive structural critique to identify any plot, characterization, continuity or other glaring issues requiring correction, and b) a line edit to catch and resolve all the grammar problems. In parallel, I'll be commissioning cover art. The goal is to pull together an e-book package and self publish early in 2017 via Amazon and Smashwords. Once that is accomplished, I'll be into the marketing and promoting stage of my plan. I'm interested to see what the latest options are in this area, how they work, certainly how well they work (if that's even measurable). One way or another, this ride will be fascinating.
I actually do have an older short story of mine, Shadows in the Mirror, that I need to package up and publish as a standalone e-book. I'll be completing that activity to learn the latest and greatest methods and procedures involved ahead of having to use them for Vortex. The tools and techniques for e-book publishing continue to evolve since my last hands-on years ago. From what I'm seeing, it appears to have simplified somewhat but it still isn't to the point where it could be called simple, consistent and reliable with predictable results. Unless a writer just wants to fork over a fee for someone else to take care of it. I suppose that's mighty dirt simple, if you can afford to do it.
In the background, I've been working on a smattering of flash pieces. One looks promising to have ready for early 2017. Most of the other works I'm chalking up to exercising and experimentation. At some point next year, I'll need to sort out and embark on my next major project or two.
So onto 2017. As of now, it's looking like year 2 of Vortex, at least for starters. Hope this ride doesn't get too bumpy.
Right.
Silly me.
Sunday, April 3, 2016
I updated my web site
http://toddthorne.com
Being a software developer type in a prior life, I confess that I couldn't resist designing my own author web site. So that's what I did. Guess what? It showed. Particularly because, as a SW developer, I couldn't bring myself to use any of the pre-canned packages that make assembling a web site a snap. Nope. Not me. I had to roll my own from scratch using an earlier generation of Microsoft Publisher.
Being a software developer type in a prior life, I confess that I couldn't resist designing my own author web site. So that's what I did. Guess what? It showed. Particularly because, as a SW developer, I couldn't bring myself to use any of the pre-canned packages that make assembling a web site a snap. Nope. Not me. I had to roll my own from scratch using an earlier generation of Microsoft Publisher.
Those days are done. I acquired some help. The Todd Thorne site now has a fabulous and slick new look-and-feel.
Check it out.
Friday, March 25, 2016
What Todd is Writing
Vortex clocks in
at 73,000 words. Amazing. Incredible. Hallelujah.
Now for
reflections…
For the most
part, the story went where I expected it would. I mapped it out last year, though I must say, since then, there have been some
surprises along the way. Meaning, twists and turns I didn't envision.
That's what 'discovery' writing can do for you. It provides plenty of
opportunities for your keyboard to take control and pound out a real
zinger or two. Even still, the story wrapped up the way I'd
envisioned. I am quite tickled. Biased as I undoubtedly am, I really
enjoy reading it.
Now begins the
process of commercialization. I've decided that I'm going to query
select agents in the genre that embodies Vortex (YA and New Adult +
Speculative Fiction). We'll see if it garners any interest. Say what
you will but these are evolutionary times in the publishing industry,
which is shorthand for: all bets are off. That being said, it remains
true that well-told stories will find their audience, one way or
another. That's the amazing aspect of this business. There are
numerous ways to get your stories circulating in quest of the
ultimate audience. Perseverance can prevail, assuming it doesn't
drive the writer insane along the way.
So where did
Vortex come from? Well, that's a story unto itself…
On May 29, 1982,
an F4 tornado wrecked havoc upon Southern Illinois. Living in Marion,
Illinois at the time, I had a set of grandparents. Stereotypically,
they happened to live in a trailer occupying a classy trailer park
skirted by the tornado in question. My Grandpa told me about what he
saw that day. He stood outside and watched the twister head straight
for him, unerringly and unstoppable. I will not forget how he
described his vision of the thing. It weaved methodically,
side-to-side, vacuuming up everything in it's path. 'Serpentine' he
portrayed it. To him, it seemed like the thing held him mesmerized,
to the point where his physical safety was in jeopardy. He couldn't
stop watching it. That's what he said. 'I couldn't take my eyes off
of it.' As it set upon him, somehow, he shook off his hypnosis and
rushed inside to be with my Grandma there in the end. They survived.
Ten people didn't.
Vortex is for
you, Grandpa.
Tuesday, March 22, 2016
Blog Interruption Over
Apologies for the unexpected blog hiatus here. It's something I let get away from me. Whenever that happens, quite a gap can build up, especially given the murderous way time flies. Anyhow we should be back to normalcy.
This is also an opportunity to remind everyone that you can find me over on Twitter and Facebook if you happen to frequent those venues.
This is also an opportunity to remind everyone that you can find me over on Twitter and Facebook if you happen to frequent those venues.
Friday, March 13, 2015
Sale "As Luck Would Have It" to Every Day Fiction
It is particularly fitting this flash piece is posted up on Every Day Fiction here on Friday the 13th. Thanks to the delightful editors who not only took the story but creatively scheduled when it would run. Bravo!
Wednesday, December 31, 2014
A semi-pantser figures it out
It's the last day of 2014. I'm 50,000 words deep into my draft manuscript for Vortex. Seems like an appropriate time to pause and reflect.
What Vortex has taught me about my writing:
Which means I write like most people play the games Civilization or The Settlers of Catan. Amazing, eh?
No matter your own writing style, here's hoping your 2015 is supremely productive and richly rewarding.
What Vortex has taught me about my writing:
- I'm not the type that can write the first draft from start to finish prior to doing any edits
- Polished (read: edited) scenes/chapters increase my confidence in the new, subsequent ones I write
- I'm a pantser, meaning I discover the story as I write it, but...
- Deep into the story, I really want to know where it's going, so I do outline the parts to come
- With outline in hand, I can't resist writing ahead--fleshing out upcoming scenes and vignettes--particularly the juicy or significant ones
- Regarding those upcoming scenes, sometimes my exploratory drafts get tossed, unusable; sometimes it triggers me to retrofit earlier chapters I'd edited and felt were mostly baked
Which means I write like most people play the games Civilization or The Settlers of Catan. Amazing, eh?
No matter your own writing style, here's hoping your 2015 is supremely productive and richly rewarding.
Sunday, November 23, 2014
How a cheeseburger became a craving
This is a follow-up (finally) to the sale of my story "Cravings" and how it came into being originally as a tale about killer cheeseburgers. Read more about that here.
So I'll confess that I initially screwed up regarding the cheeseburger theme, in a way that affects a lot of writers. The problem with my original approach to the story (which I called "Cheeseburger in Paradise") wasn't with the premise. By and of itself, the essence of the tale was fine. The problem I introduced was regarding the focus. Here I made a blunder in the first version of the story by casting the cheeseburger as the star. The core. The central cog around which everything else revolved. Heck, if Jimmy Buffet could get away with it, I could too. Right?
Except... no.
Delightful as a scrumptious, gooey cheeseburger might be, sci-fi readers aren't keen to have them as the protagonist of a story unless: a) the reader has a bad case of the munchies, or b) the burger develops sentience somewhere along the way. I couldn't count on the former and the latter, while intriguing, wasn't the tale I had written. Alas.
Unfortunately, I then compounded my little problem with the story's focus. I didn't realize what I'd done with "Cheeseburger in Paradise." I got so caught up in my homage to the humble fast food staple, I totally missed the fact that the story had little appeal. Nada. Zip. Except perhaps to stockholders of certain burger-based franchises.
After I'd accumulated a handful of "Pass" replies by various editors, I decided it was time for a different approach. At this point, a writer has three choices regarding an unsold story.
Choice 1 - they can press on and keep submitting. Perhaps it's a matter of finding the right editor/publisher for the right fit. Perhaps the writer will luck out and collect feedback along the way thus enabling a bit of fine tuning to ultimately make the story irresistible.
Choice 2 - they can trunk the story. This means putting it into limbo, possibly forever. This option might not imply permadeath for the story as it could be resuscitated and circulated again in the future. Or perhaps parts of the story could find new life in the context of another tale.
Choice 3 - they can rewrite the story. Change the plot. Change the pacing. Change the characters. The setting. The conflict. All options are fair game to recast the story into a form that has more appeal.
Regarding "Cheeseburger in Paradise," something told me to elect Choice 3. I'm not sure exactly what that 'something' was. I suspect I managed to take a hard look at the story from the perspective of a virgin reader, which is not an easy thing given we, as writers, are obsessively close to our stories. Close as in parental love for sired children. These stories are our babies. They don't have flaws. Just minor setbacks to be overcome. Teeny tiny aberrations. Nothing serious.
Except... no.
Stories aren't future Olympians or Nobel Prize winners or Supreme Court Justices. They are (for some of us) commercial products to be sold and shared. As such, they cannot bear any flaws. Hence writers are constantly questing for perfection of their precious little darlings, which raises the specter of a host of new challenges -- a topic for future blog posts.
Fortunately for me, I was finally able to listen to my inner reader. I came to recognize that the story wasn't about a mythical cheeseburger. The compelling story really was about the people who were caught up somehow in that mysticism. "Cheeseburger in Paradise" thus morphed into "Cravings." The rest is history.
That's it really. I would say that writers employing a rewrite choice for an existing, unsold story are actually in quite a position of power. The heavy lifting has been done, after all. If you force yourself to be an unbiased reader judging your (currently suboptimal) story for what it most lacks, you might learn that you need recast only one of the prime elements of story to get a more appealing result. Or not, in some cases. Either way, you be the judge. You hold the ultimate power of the pen.
So I'll confess that I initially screwed up regarding the cheeseburger theme, in a way that affects a lot of writers. The problem with my original approach to the story (which I called "Cheeseburger in Paradise") wasn't with the premise. By and of itself, the essence of the tale was fine. The problem I introduced was regarding the focus. Here I made a blunder in the first version of the story by casting the cheeseburger as the star. The core. The central cog around which everything else revolved. Heck, if Jimmy Buffet could get away with it, I could too. Right?
Except... no.
Delightful as a scrumptious, gooey cheeseburger might be, sci-fi readers aren't keen to have them as the protagonist of a story unless: a) the reader has a bad case of the munchies, or b) the burger develops sentience somewhere along the way. I couldn't count on the former and the latter, while intriguing, wasn't the tale I had written. Alas.
Unfortunately, I then compounded my little problem with the story's focus. I didn't realize what I'd done with "Cheeseburger in Paradise." I got so caught up in my homage to the humble fast food staple, I totally missed the fact that the story had little appeal. Nada. Zip. Except perhaps to stockholders of certain burger-based franchises.
After I'd accumulated a handful of "Pass" replies by various editors, I decided it was time for a different approach. At this point, a writer has three choices regarding an unsold story.
Choice 1 - they can press on and keep submitting. Perhaps it's a matter of finding the right editor/publisher for the right fit. Perhaps the writer will luck out and collect feedback along the way thus enabling a bit of fine tuning to ultimately make the story irresistible.
Choice 2 - they can trunk the story. This means putting it into limbo, possibly forever. This option might not imply permadeath for the story as it could be resuscitated and circulated again in the future. Or perhaps parts of the story could find new life in the context of another tale.
Choice 3 - they can rewrite the story. Change the plot. Change the pacing. Change the characters. The setting. The conflict. All options are fair game to recast the story into a form that has more appeal.
Regarding "Cheeseburger in Paradise," something told me to elect Choice 3. I'm not sure exactly what that 'something' was. I suspect I managed to take a hard look at the story from the perspective of a virgin reader, which is not an easy thing given we, as writers, are obsessively close to our stories. Close as in parental love for sired children. These stories are our babies. They don't have flaws. Just minor setbacks to be overcome. Teeny tiny aberrations. Nothing serious.
Except... no.
Stories aren't future Olympians or Nobel Prize winners or Supreme Court Justices. They are (for some of us) commercial products to be sold and shared. As such, they cannot bear any flaws. Hence writers are constantly questing for perfection of their precious little darlings, which raises the specter of a host of new challenges -- a topic for future blog posts.
Fortunately for me, I was finally able to listen to my inner reader. I came to recognize that the story wasn't about a mythical cheeseburger. The compelling story really was about the people who were caught up somehow in that mysticism. "Cheeseburger in Paradise" thus morphed into "Cravings." The rest is history.
That's it really. I would say that writers employing a rewrite choice for an existing, unsold story are actually in quite a position of power. The heavy lifting has been done, after all. If you force yourself to be an unbiased reader judging your (currently suboptimal) story for what it most lacks, you might learn that you need recast only one of the prime elements of story to get a more appealing result. Or not, in some cases. Either way, you be the judge. You hold the ultimate power of the pen.
Sunday, July 27, 2014
"Cravings" now posted on Every Day Fiction
Get your "Cravings" today on Every Day Fiction. Won't cost you a thing.
I'll have more about the genesis of this story in an upcoming blog post.
I'll have more about the genesis of this story in an upcoming blog post.
Tuesday, July 22, 2014
Jimmy Buffet causes "Cravings"
Now there's a blog title subject to muuuch interpretation.
I promised a short expose on how a certain Jimmy Buffet song led to me writing and selling "Cravings" to Every Day Fiction. Well here you go.
First thing you should know is the original title for my story was... (insert drum roll)... "Cheeseburger in Paradise." Which happens to be the title of yet another popular Jimmy Buffet song. And I don't think you have to be a full-fledged Parrothead to have heard and potentially enjoyed that hunger-inducing ditty. For those of you who only know Jimmy via his "Margaritaville", you might be surprised to learn how many more of his songs you're actually acquainted with. But I digress.
I forget the particular circumstances but there was a day some time ago when I had a long string of quiet and reflective moments on tap, which quite often prove to be fertile ground for new story ideas to take root. At least they do for me. Instead, though, like any good ear worm, this particular Buffet song came to mind and promptly took up residence in my forebrain. Normally, such an event would herald the utter demise of any quiet, reflective moments remaining. Vicious ear worms can be a real bitch.
Not this time.
Some twisted, macabre part of my brain went to work on Jimmy's little number. "Yeah, yeah," it said. "Anybody but a staunch vegetarian could delight in a decent cheeseburger consumed in some lush tropical setting. But what if that wasn't allowed? In fact, what if the darn things were illegal? Even better, what if...instead of killing off your body slowly year-by-year... one cheeseburger could make you drop dead right on the spot? And yet, faced with almost certain death, what if there were social misfits who would eagerly and wantonly make that sacrifice just for one fleeting moment of experiencing this contraband food?"
See what I mean? Twisted to the extreme.
Thus, a new flash piece was born.
Things didn't go well to start with. In fact, I made a classic writer blunder with the story. I rushed it out the door to prospective editors. Prematurely. More on that, including how it morphed from "Cheeseburger in Paradise" to "Cravings," in another blog post.
Look for "Cravings" to go live on the Every Day Fiction site the morning of July 27.
If you'll excuse me, it's time for some Buffet, a burger, and a Margarita.
I promised a short expose on how a certain Jimmy Buffet song led to me writing and selling "Cravings" to Every Day Fiction. Well here you go.
First thing you should know is the original title for my story was... (insert drum roll)... "Cheeseburger in Paradise." Which happens to be the title of yet another popular Jimmy Buffet song. And I don't think you have to be a full-fledged Parrothead to have heard and potentially enjoyed that hunger-inducing ditty. For those of you who only know Jimmy via his "Margaritaville", you might be surprised to learn how many more of his songs you're actually acquainted with. But I digress.
I forget the particular circumstances but there was a day some time ago when I had a long string of quiet and reflective moments on tap, which quite often prove to be fertile ground for new story ideas to take root. At least they do for me. Instead, though, like any good ear worm, this particular Buffet song came to mind and promptly took up residence in my forebrain. Normally, such an event would herald the utter demise of any quiet, reflective moments remaining. Vicious ear worms can be a real bitch.
Not this time.
Some twisted, macabre part of my brain went to work on Jimmy's little number. "Yeah, yeah," it said. "Anybody but a staunch vegetarian could delight in a decent cheeseburger consumed in some lush tropical setting. But what if that wasn't allowed? In fact, what if the darn things were illegal? Even better, what if...instead of killing off your body slowly year-by-year... one cheeseburger could make you drop dead right on the spot? And yet, faced with almost certain death, what if there were social misfits who would eagerly and wantonly make that sacrifice just for one fleeting moment of experiencing this contraband food?"
See what I mean? Twisted to the extreme.
Thus, a new flash piece was born.
Things didn't go well to start with. In fact, I made a classic writer blunder with the story. I rushed it out the door to prospective editors. Prematurely. More on that, including how it morphed from "Cheeseburger in Paradise" to "Cravings," in another blog post.
Look for "Cravings" to go live on the Every Day Fiction site the morning of July 27.
If you'll excuse me, it's time for some Buffet, a burger, and a Margarita.
Monday, July 14, 2014
Sale! "Cravings" to Every Day Fiction
With some much appreciated help from the editorial staff at
Every Day Fiction, I've sold them another flash piece called "Cravings."
It's a tale about a future Earth when eating has become nothing more than a
prescription diet of nutrient gels. A medical implant monitors and rigidly
enforces the prescription for each individual. But some kids have access to
ancient, illegal documents that glorify the foods people used to enjoy and they
can't resist experimenting with those contraband delicacies. Even though it
kills them in the process.
I'll post more in the days ahead to share a bit of the
background and journey that "Cravings" took. As a small teaser, let
me just say that a certain Jimmy Buffet song was involved. Not
"Margaritaville" either. Stay tuned for that.
Meanwhile, "Cravings" is scheduled to publish on
Every Day Fiction on July 27.
Sunday, May 4, 2014
A bit more insight into The Master's Voice
My story, "The Master's Voice," is scheduled for posting on The Colored Lens website at the end of August. Woot!
Or, rather than waiting 4 grueling months for gratification, why not enjoy it now by purchasing the Spring 2014 edition of The Colored Lens?
And now for a little story behind the story...
I went through a stretch there where I churned out a few tales that involved dogs in some way. Several didn't make it very far but one, called "Chaperone," was ultimately published in Fusion Fragment, which sadly can't be found on the web anymore but is still available via my short story collection, Dark Doses.
I'm going to make a comment about "Chaperone," but if you intend to read it, here's a SPOILER ALERT. Stop here and go read the story first.
Okay.
So in "Chaperone" things don't work out so well for ole Tiberius. The poor thing finds itself in a time when dogs are mere training tools and not part of the family. Tools can tend to suffer abuse at the hands of the tool wielder and that was certainly the case for Tiberius.
Which left me feeling absolutely crummy.
Being a dog owner, I needed to reverse that feeling and strike a balance. I wanted a story that turned the tables and put the dog back on top, in true, devoted fashion. The result was "The Master's Voice."
When I completed it, I raised a toast to Tiberius and thanked him. He helped me write two stories and now everybody will get to enjoy the second one.
Or, rather than waiting 4 grueling months for gratification, why not enjoy it now by purchasing the Spring 2014 edition of The Colored Lens?
And now for a little story behind the story...
I went through a stretch there where I churned out a few tales that involved dogs in some way. Several didn't make it very far but one, called "Chaperone," was ultimately published in Fusion Fragment, which sadly can't be found on the web anymore but is still available via my short story collection, Dark Doses.
I'm going to make a comment about "Chaperone," but if you intend to read it, here's a SPOILER ALERT. Stop here and go read the story first.
Okay.
So in "Chaperone" things don't work out so well for ole Tiberius. The poor thing finds itself in a time when dogs are mere training tools and not part of the family. Tools can tend to suffer abuse at the hands of the tool wielder and that was certainly the case for Tiberius.
Which left me feeling absolutely crummy.
Being a dog owner, I needed to reverse that feeling and strike a balance. I wanted a story that turned the tables and put the dog back on top, in true, devoted fashion. The result was "The Master's Voice."
When I completed it, I raised a toast to Tiberius and thanked him. He helped me write two stories and now everybody will get to enjoy the second one.
Saturday, March 22, 2014
My story is now available for Kindle in the Spring 2014 edition of The Colored Lens
"The Master's Voice" can be yours along with 11 other speculative fiction tales in The Colored Lens, Spring 2014 edition. If you own a Kindle, grab a copy and enjoy.
While you're at it, show the hard working folks at The Colored Lens some love by liking their Facebook page or following them on Twitter.
Nice cover for this edition. Sort of feels like you've splashed down right into a Terry Gilliam movie.
While you're at it, show the hard working folks at The Colored Lens some love by liking their Facebook page or following them on Twitter.
Nice cover for this edition. Sort of feels like you've splashed down right into a Terry Gilliam movie.
Sunday, March 9, 2014
Sale! "The Master's Voice" to The Colored Lens
I'm a sucker for speculative fiction that involves animals or nature as a prominent element in the theme. All too often it can seem that technology hogs the spotlight, particularly in shorter pieces where there isn't much runway or time to make a strong impression. Do both beasts with a little beastly tech though, now I'm a happy reader.
Which is why my tale, "The Master's Voice", has just enough tech to make it a speculative piece but without losing sight of the fact it's a dog story at its core. With a murder mystery thrown in for good measure. Intrigued? You'll get to read it in The Colored Lens in a few months.
I'll have more to add about the story when it runs.
Which is why my tale, "The Master's Voice", has just enough tech to make it a speculative piece but without losing sight of the fact it's a dog story at its core. With a murder mystery thrown in for good measure. Intrigued? You'll get to read it in The Colored Lens in a few months.
I'll have more to add about the story when it runs.
Monday, February 17, 2014
You may be a writer if...
With a nod to Jeff Foxworthy, I've been enjoying quite a few giggles coming up with these over on Twitter. From the reactions, I'm not alone.
Read all of the following starting with the opening line: "You may be a writer if..."
Read all of the following starting with the opening line: "You may be a writer if..."
- You get the most brilliant ideas the farther away from a keyboard you wander.
- A spare 15 minutes isn't a quick break. It's a whole new scene.
- Every real person you meet has something to use in a story. You just have to figure it out.
- Sleep and dreams require a notepad be stationed for rapid access.
- World building and world plundering are typical things you do before breakfast.
- Word Count to you is like the Gravitational Constant is to a physicist.
- Instead of people watching for fun, you do it for juicy ideas.
- You ache to edit your uneditable stuff. Like tweets, e-mails, scribbled out grocery lists.
Tuesday, December 31, 2013
Reflections on the writing year that was
It's always a mixed bag thinking back on the year behind and ahead on the one to come. Inevitably my 'good' list outweighs my 'not so good' one. Though that might sound disappointing, I treat it as a positive in the sense that, whenever I face the future, I hope and strive to accomplish more. Putting it differently, I dread the way my life may have turned if I ever intend to do less. That's not me, at least not the me I've grown up with.
On the writing front, I've got a couple of pluses. I made significant headway on my novel WIP, including plotting it out in my head through its conclusion. Along the way, it took a couple of exciting turns that boost the story, IMHO. I may not be an outliner type of writer, but I did learn over the last 12 months that a pure seat-of-the-pants approach is just too open-ended for me. I need some boundaries and a blueprint, at least a birds-eye version of one. I've got that in hand now for the WIP.
I placed two short stories this year. Had some nice reader reactions to both. Feedback is A Very Good Thing.
For minuses, my stable of short stories has grown thin. This is due to a heavy focus on the novel WIP, which is usurping the majority of my writing time. Need to work on that.
Speaking of the novel, it isn't progressing as quickly as I'd like. I had hoped to have wrapped up the first draft in 2013 but it looks like I'll have to try again for that in the new year. I confess that I did some rewriting this year instead of focusing on just capturing a full draft. I blame my inner editor, which can't stay silent about rough edges, gaps, inconsistencies and plot problems. They're like dust bunnies skittering across your floor while uttering a taunt of "Catch me if you can." You just gotta go get 'em.
I need to overhaul my web page. I could pay someone to do that but I'm stubborn. So I want to take first crack at it.
Lastly, I think I did a bit better using social media in regards to my writing but I've got a long way to go. With social media, Zen is mighty difficult to achieve.
That's it. Goodbye 2013. Greetings 2014.
Let the words flow.
On the writing front, I've got a couple of pluses. I made significant headway on my novel WIP, including plotting it out in my head through its conclusion. Along the way, it took a couple of exciting turns that boost the story, IMHO. I may not be an outliner type of writer, but I did learn over the last 12 months that a pure seat-of-the-pants approach is just too open-ended for me. I need some boundaries and a blueprint, at least a birds-eye version of one. I've got that in hand now for the WIP.
I placed two short stories this year. Had some nice reader reactions to both. Feedback is A Very Good Thing.
For minuses, my stable of short stories has grown thin. This is due to a heavy focus on the novel WIP, which is usurping the majority of my writing time. Need to work on that.
Speaking of the novel, it isn't progressing as quickly as I'd like. I had hoped to have wrapped up the first draft in 2013 but it looks like I'll have to try again for that in the new year. I confess that I did some rewriting this year instead of focusing on just capturing a full draft. I blame my inner editor, which can't stay silent about rough edges, gaps, inconsistencies and plot problems. They're like dust bunnies skittering across your floor while uttering a taunt of "Catch me if you can." You just gotta go get 'em.
I need to overhaul my web page. I could pay someone to do that but I'm stubborn. So I want to take first crack at it.
Lastly, I think I did a bit better using social media in regards to my writing but I've got a long way to go. With social media, Zen is mighty difficult to achieve.
That's it. Goodbye 2013. Greetings 2014.
Let the words flow.
Sunday, November 24, 2013
The Adam & Eve angle in my story "Scents" takes a twist
One more brief insider scoop for you regarding
"Scents," my world-gone-stinky flash piece.
I've always had a soft spot for Adam and Eve threads in
science fiction tales. I also enjoy dystopian stories. Quite often one outcome
for those is a literal or figurative do-over, particularly at the conclusion.
In other words, center the plot on thwarting the bad, oppressive
society/regime/environment somehow and then give the heros a chance to start
anew, the notion being this time all will be better. It's a fitting reward for
a titanic struggle.
Except in my own stories.
Being the dark fiction slinger that I am, I don't expect
I'll ever spin a tale where my victors go on to found a whole new utopia
unmolested. Oh sure, they might desire to. They might think they will. Perhaps
it will even start out that way. But I seriously doubt I'll be able to resist introducing
some destabilizing factor to undermine their reward.
Let's face it. A true Garden of Eden is lush, sanguine and
idyllic. In other words, conflict free. Add a serpent and now you have the
makings of a real story. That's my job as a writer: inject conflict and
tension, shake vigorously, see what falls out.
When I conceptualized "Scents," I knew it would
have an Adam and Eve theme woven into it (albeit somewhat reversed). I also
knew my Eve would be fiercely devoted to her mate and never inclined to abandon
her love even though Eden or, in this case the world outside their domed prison,
beckoned and was hers for the taking. That's not to say she didn't want that
life of total freedom under the stars. She just didn't want it alone. My Eve's bond was that strong.
At the point where I was prepared to actually introduce
Eve's mate into "Scents," I paused. This was where the typical trope
would have me supply an Adam and, I admit, would be a typical storyline for me
to write.
That's when I asked myself why? Why did it have to be an
Adam and an Eve? Why not an Eve and Eve? Or an Adam and Adam for that matter.
After all, "Scents" was a story about love and utter devotion.
Period. Biological reproduction never entered the equation.
That was my liberating moment. The result was my first Eve
and Eve story. Darkened, of course.
Monday, November 18, 2013
The inside scoop on my story "Scents"
What if, in the span of a decade or two, Earth changed to
become intolerable to humans? Yeah, I know: tired, old, sci-fi trope, right?
But I don't mean excessive heat, water, cold, radiation or some kind of zombie
apocalypse.
What if Earth just suddenly stank?
I'm talking a whole lot of stink here, the kind that
introduces your stomach to your larynx. Repeatedly.
This is the premise of my flash piece, "Scents," which premiers
on November 19 at Every Day Fiction. I thought I'd take a moment and reflect on
where the germ of the story came from.
I have two words for you: paper mill.
If you ever lived in the vicinity of a paper mill, you'll
know what I mean when I say the aroma one of those facilities can put forth is quite
breathtaking. And I do mean that in the literal sense.
When I was a little boy, well before we had Facebook and
console games, for entertainment we had something called bicycles. At
the time I had a close friend and we rode a lot. Our butts were permanently molded
into the shape of a bike saddle because of the hours we spent riding. This was in
a Midwest town in the US heartland. For mindless trivial fun, bike riding was about
as good as it got.
Except when the wind blew from a certain direction.
Why? Because the paper mill was that direction parked on the
outskirts of town. On days when the wind blew into town from the paper mill,
the smell was so nauseating that skunks actually complained to the mayor.
Fast forward to a recent morning when I was on a power walk not
long after sun rise. The air was warm and clear. I had a good pace going. All
was well with the world.
And then I entered a stench zone. It was revoltingly bad. Gave
me the dry heaves (breakfast hadn't occurred yet, thankfully). I think it
persisted for like a hundred yards or so but it felt more like a hundred miles.
When I finally emerged and gulped fresh air, the memory came roaring back of
those miserable days downwind of the paper mill.
Odors can be one of the most powerful exciters of deep
memories. In my case, it worked like a charm. I was a young boy back on a bike
again, desperately trying to get home after the wind had shifted on a warm
summer day. Then, barely making it alive, I barricaded myself there, trying not
to let the foul fumes suffocate me.
That's about the point where my muse said, "Hey, what
if the whole world stunk like that? Cool story, eh?"
Half a second later, the muse came up with, "Wow, what
if the world stunk and one person didn't have a sense of smell? What would that
be like?"
You can read one possibility on Every Day Fiction starting November 19.
Sunday, October 20, 2013
Sale! "Scents" to Every Day Fiction
Though it's a dark piece, "Scents" probably qualifies as one of my palest dark works. It's a 1,000 word spec-fic flash tale of love and devotion set in Earth's near-future, a time when it stinks so horribly people can no longer go outside.
I received some delightfully warm and encouraging comments about the story from the Every Day Fiction editorial team. More to come when it publishes on their website.
I received some delightfully warm and encouraging comments about the story from the Every Day Fiction editorial team. More to come when it publishes on their website.
Wednesday, September 4, 2013
The sound of rain being caught
Ma Nature is giving our new rain barrel and gutters a test drive. So far, we're passing the test with flying colors.
Besides the sound of rain being caught and preserved for future use, that other sound you are hearing is our vegetable garden kicking off a massive party.
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| "Rain drops keep falling in my barrel..." |
Besides the sound of rain being caught and preserved for future use, that other sound you are hearing is our vegetable garden kicking off a massive party.
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